I just recapped 2019 (Link) and consider it a success. It wasn’t exactly profitable, but I learned some things and was able to publish three titles last year.
One of the main things is that I can write more than one story at a time. I call the secondary one my side project and chip away at it when my main project bogs down. I’ve been known to park my brain for weeks dwelling on a plot issue, then hit the keyboard after I’ve worked it all out. It’s worse while working on my trilogy.
By having a side project, those lost weeks are pointed elsewhere, and somehow the main problem works itself out anyway. My side project jumps ahead, and when it’s time for it to emerge from its cocoon as the main project, I may be 50K words into it.
It’s kind of like how I keep multiple storyboards going. I always have something ready to start.
I intend to keep doing this in 2020. I don’t have a side project right now, but once HMS Lanternfish hits somewhere around 50K words, I’m going to start another one.
I finally wrote that cyberpunk story I’ve been bringing up for years. It needs a cover, a final read through, and formatting, but it’s very close. I enjoyed taking modern problems and poking them with a stick to see how our world might look in a hundred years. It’s called Grinders, and will be coming your way in early 2020.
With an incredible stroke of luck, I could release it for Chinese New Year. This is the Year of the Rat, a big part of the story goes down at the parade in San Francisco, where it is also the Year of the Rat, and a couple of rats play an important role in the story. Yours Truly is also Year of the Rat. That’s some serious juju right there, and I’d like to publish it then.
I don’t think it’s a deal killer if I don’t hit that target, the best laid plans of rats and men, etc.
Grinders is my stand-alone title for 2020. Sequels will eat up the rest of the time. I can’t seem to give up stand-alone work, and it’s something I really enjoy.
As far as sequels are concerned, I need to produce the next Lanternfish tale in 2020. I’m working diligently on it, and would love to have it available before the schools get out. My track record at that deadline is horrible. I don’t seem to have any luck with summer releases, so I dream of having it ready before then.
Another loose target is the Halloween season. I have this earmarked for the next story about Lizzie and The Hat. They are finally going to face actual vampires. This won’t be anything like you’ve seen before, and will take place mostly in the country music environment. They’re going to have to stalk their enemy across rodeo dances, county fairs, and such. There are some fun scenes already planned out, and Lizzie is going to tire quickly of this kind of music.
There is also a new character that I can’t wait to bring into the tale. I see him as a possible recurring character. If you’re old enough, you remember how James Garner always seemed to have that one smarmy guy show up in his work. My new character will fill that role, and could fit into future stories. Besides, he has a speech impediment that The Hat will make fun of. That brings out Lizzie’s “social justice warrior” and adds a few fun interactions.
This story will be the side project once I nudge Lanternfish along a bit. After it moves into the main slot, I might start another side project. This one would be a post-apocalyptic story with many earmarks of a western. I will also return to first person POV in this one.
This is an ambitious year, but I think I can make it happen. I have a couple of tricks up my sleeve after last year. First is that Grinders is already written, much like the first Lanternfish book was. Second is that stories about Lizzie and The Hat are generally short novels. If it works, the post-apocalyptic thing could be ready prior to 2021.
I have one problem that I’m trying to sort out. Maybe you can help me with that. I’m convinced that my best promotional effort is to publish the next book. Being a self publisher is a numbers game. I’ve been around long enough to see people fade after a book or two. I’m not one of those people.
Readers could take authors more seriously with a number of titles under their belt. That’s pure theory, and they would have to be good stories. I feel like I’ve reached that level, and could attract new readers by having a decent catalog of titles.
The problem arises in timing of those releases. I ran into a problem of releasing two books sixty days apart. Viral Blues did well enough, but I think Serang suffered because of this. This is a complex problem, but here are some of the factors to consider.
• I have a personal phobia of the summer months for a new release. I’ve never done well during summer, but that limits me to the nine other months. That becomes a book every three months during the sweet spot.
• Promotional fatigue is a real thing. It hits my blog followers, online circle, and it hits me, too. I will need to identify many more sites to promote my work. I don’t want to wear out my regular group of hosts. I like my hosts and regulars. I want to balance being a friend, offering my space to them, and being able to promote my own projects on occasion.
• Lanternfish is a trilogy. I don’t expect much fanfare for the second book other than from those who loved the first one. In my imagination, book two may sell better after the trilogy concludes. With this thought, could a summer release for book two serve just as well? That would help spread things out around the year. Am I selling the second book of a trilogy short?
• Could a blog tour with two or more books on the same tour have any benefit? This would cut down the number of promo posts, but each title would have to share stops along the tour. Is there a way to use pre-release sales in this scheme? You can have one book right now, and the other will be delivered in 60 days?
• Does the crack dealer method still work? Meaning does a giveaway for book one help move sales for book two or three? It used to work, but has that also changed?
Personally, I don’t like the idea of giving my work away. If $2.99 is going to break someone’s budget, they’d be better of paying the power bill. I have to admit, there might be a strategic advantage to some freebies. There used to be one, but things change so fast I don’t know anymore.
As far as titles that could serve as the gateway drug to my writing, The Playground kind of leads to Viral Blues. The Hat leads to Viral Blues and any other book in the series. Serang and Voyage of the Lanternfish could serve the same purpose for the Lanternfish trilogy. Honestly, 2020 might be too soon for this concept, but I’m open to suggestions if you have them.
I want to keep blogging two to three times per week. Yeah, it’s a place to talk about my work, but it serves its own purpose, too. I like chatting with you guys. I’m not afraid to talk about my writing efforts, but sometimes you get bulldogs, sourdough bread, camping trips and other things that add a bit of quality to life.
Otto is helping Dad today.
Story Empire has been a good thing for me, too. It challenges me to come up with appropriate topics, and while I don’t always pull it off, I come fairly close to the mark. I don’t know how much more I have to share there, but there are always new writers coming along, so revamping some things might be possible. That usually takes me a couple of times per month, so I’ll be seeing many of you over there during 2020.
These are ambitious goals, but they are within reach. I might not hit all of them, but I intend to give it my best effort. I hope you guys will come along for the ride. Do you ever make a business plan for the year?