Tag Archives: bass clef

It’s a conundrum, or two

I’m back in my room now. There was another junior thunderstorm, but it was right overhead. Some of you asked for photos, and I couldn’t get them. It shook the windows, but didn’t have the staying power of yesterday’s storm.

I also bought some ski-lodge quality slippers for my wife and daughter. Today is Old What’s Her Face’s birthday, and we exchanged texts and spoke on the phone. Seems to happen every year that work sends me out of town on her birthday. She already bought her own present, and the slippers are just for fun.

I had to attend a midday event, and wound up with some time to myself this afternoon. I have to go to a banquet this evening, but a couple of hours in between were well spent time.

The Hat is a finished draft. It came in at 25,500 words. My intent was to publish it as a novella, but my personal idea of a novella is 30K. Word count numbers seem to be pretty fluid. Am I worrying about something that doesn’t really matter?

There is a lot going on in this story. I demonstrated Lizzie’s symbiosis with the hat by having them play the upright bass together. He has all of the skills, but none of the arms and fingers. This is how they fight evil, by working together.

I’m a bit worried about the denouement part of the book. I have a lot of loose ends to tie up, and currently, I’ve done it using my bass clef section breaks. I have the aftermath of the big fight, the replacement (and upgrading) of musical instruments, the demonstration that complex characters will go forward together. That last part means as musicians and as fighters of evil.

I don’t like long denouements. I once beta read for an author who spent a quarter of the book defining a happy-ever-after for her characters. This included naming grandchildren that hadn’t been born to children that hadn’t been conceived in the main story.

I know I’m not that bad, but I still worry. If I eliminate some things that are dear to me, I could probably turn this into a dynamite short story. I want a novella and those parts are important to me.

If I turn each necessary bit of closure into an entire chapter, that will help with word count, but it will also push me toward the long denouement I’m trying to avoid.

Any suggestions?

I’m fairly sure either my critique group, or a couple of decent beta readers can help me out, but I’m not ready for betas yet. I have several passes to make before I can share it with betas.

Okay, I know someone is going to ask. Here are the slippers. I think those dingle balls are going to be Frankie bait though. They should be cozy on our new floor.

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Sometimes I get lucky

My wife’s new schedule sucks, but it plays into my plans on occasion. I also call my parents every Sunday, but they’re on vacation right now. I started my day, like always. Dogs got fed, social media got surfed, other apps that drive news to me got browsed.

Then I read the last two chapters I wrote on The Hat. I’m at the phase where plants and payoffs have to get installed and not just the loose storyboarding I do. This led to deleting nearly a thousand words. Some of this has to do with the fact that Lizzie’s Mini Cooper doesn’t have a trunk, it has a tailgate. Oops.

The dogs were in sleep mode for some reason. They’re crazy right now, but I’ve learned to strike when the iron is hot. I replaced everything I deleted with better words, then added more. Days like this make me wish I kept a better count, but it looks like I wrote about 5000 new words total. The story is a handful of words under 20K right now.

Lizzie came away from the disaster with a partial victory. Any subsequent attempts won’t go so easily. She had a crisis of faith during the disaster event, and there was a bit of soul searching. We also learned about some new abilities the hat has, and they’re kind of scary.

I need to go back again and make specific parts of the aftermath more personal for Lizzie. It involves little things, but will make some of it more real. My next move will be to go back through and flesh a lot of things out. In fact I may start from the first page and do this. I like to move forward with confidence, and doing these things helps me move forward. It may sound like one step forward and two steps back, but I’m about ten thousand words ahead of where I thought I’d be right now.

Lizzie did a bit of shopping therapy after moving where the bad guys went. In a way, it’s revealing the confidence she will need to get through the next phase. She’s looking like a more legitimate superhero now. She also has a new fatalistic attitude that could be just what’s needed… or actually fatal if things don’t work out.

I engaged in an extensive text thread with my daughter, and fashion consultant. I needed to make sure Lizzie’s new outfit made sense. She read what I had and said it sounds great.

I’m setting myself up for something odd too. This story will require a longer denouement than others I’ve written. After the main story ends, I want about three things to happen to sew up loose ends. I’ve always believed that was a bad thing. I’m worried about it, but maybe I’ll gain clarity by the time I get there. This has to do with it being a buddy story. They each need their bit of something, but they need something together too.

I want to try something fun in this book, but I’ll be damned if I can figure it out. When I do a story break, I center three asterisks (***) and jump the story ahead. Easy peasy right? This time, I would like to do three bass clefs. I can’t find a keystroke to include a bass clef to save my life. I even looked for emoji’s, and can’t find a bass clef. There are some treble clefs, and plenty of musical notes. Why no bass clef? I thought for sure Times New Roman would have one, it has all kinds of symbols.

Do any of you know how to tell a word processor to make a bass clef? Maybe I could use clip art and squeeze down to size.

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